Archive for March, 2007



15
Mar

Further website madness

Phplist-Logo

I have finally finished my implementation of PHPList. it was a horrifying experience I do not wish to repeat but after about 5 re-installs, experiencing the complete, arcane breakage of my website (again through the..uh.. miracles of .htaccess - don’t ask, it makes my eye twitch), fixing my site and the horrors it induced, I now have it working perfectly.

oh, that isn’t a very good pitch is it? really you can’t see the damage - the scars are on the inside ;) I love it now that it works. it is excellent software, just arcane, I almost hung up my geek hat on this one.

The newsletters will be monthly and the plan is to link my online listings, my blog and my website by highlighting the best new stuff. Join up now to keep up with all my news!

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13
Mar

Stressing..

quick sketch

quick sketch,
by jennie

I’m feeling a little overwhelmed at the moment, at times I find it very hard to get enthused about anything. I feel itchy inside but not able to focus on anything. I have a lot to do but I don’t feel a pull towards anything so I end up doing little aimless bits to no good end.

Usually when I feel like this there is something at the root of it. I can’t focus because my brain wants to get something out. I think it is, as usual, something artistic in nature. I have so many ideas but I seem to have a problem realizing them as paintings. I just don’t like any of the paintings I have done lately - they aren’t working they way I want them to. I don’t know if it is overthinking, underthinking, or putting too much pressure on myself. probably the last, I always put pressure on. every work must be better than the last, every work needs to have relevance, and be striking, it must be inspired and perfect.

I think that is the reason I am drawing so much at the moment, drawing doesn’t need to be perfect. it is immediate, fun and relaxing.

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08
Mar

The fine line between Art and Porn

Photo

Photo,
by Robert Millard

In the lobby at the first intermission, we all asked the question, “Is this production art or is it porn?” Those who said “porn” had to ask if it was wrong to use porn. After all, the Venusberg does represent carnality, the pure devotion to pleasure. And if Wagner, who wanted to be a dangerous composer, could have shown porn onstage at Paris when he added the first-act bacchanale in 1861, perhaps he would have done so. Shouldn’t we all experience carnality, even titillation, now that everything is permitted?

On the other hand, those who said “art” should admit that overall, the production was a failure - for hardly anyone spent time talking about the high art of the music
LA Downtown News Online:

It’s a fine line we walk and an even finer distinction. what may be porn for some is art for another and even boring for a select few. However, when something is calculated to shock, to raise a fuss - where is the line then? I think, by it’s very nature, the line is a long way away - some might even say non-existient.

This new take on opera is definitely raising eyebrows and putting bums in seats, but is it worth it? at what point does it become more about the scandal than the art itself? and is that the point?

It’s an established tradition to create a sensation and controversy around different art forms. the old saying goes that all publicity is good publicity, but I think this is frequently taken as carte blanche to create a spectacle so that the actual art is of less interest than the news surrounding it. I think the opinion above is perfectly apt. There is nothing wrong with it being a “pornographic” display, as long as the two are twined together and each complements the other. but the key factor to this opera, the music, seems to have been lost. and that can only be a shame.


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07
Mar

A New Impasto Nude

Currently Untitled

Currently Untitled,
by Jennie

At this rate I might end up being one of those artists who names everything ‘untitled’! anyway, I am looking at more challenging shapes within this technique. before, my impasto pieces had a total of 6 main lines. Now, as I move into more complex concepts, I am changing it up a bit. it lends a slightly more abstracted air in a way and a bit of edge but I don’t know if it is working. this piece looks less spontaneous and more deliberate somehow.. that may be a good thing or a bad thing but I haven’t made up my mind yet. Maybe I am just too close to the piece for now.

I find I hate a piece for a while after I paint it. there seems to be a cooling off period and after that I start falling in love with it. I get too invested with the concept I see in my head and focus on the flaws. it’s almost as if they are strangers at first and I am a little wary but when the dust settles I am able to take my time to get to know a painting.

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05
Mar

Imagine My Surprise…

Discovery

Discovery,
by Jennie

I was going over my news feeds for possible story ideas, news and reviews in the art world when I came across this column. I read part of it and thought ‘I’ve covered this story before..’ then as I kept reading I thought, ‘Thats funny, this person writes just like me..’ so imagine my surprise when I reached the end of the article!

Read it Here

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05
Mar

Hotcakes anyone?

Statuesque (Sold!)

Statuesque (Sold!),
by Jennie

As in my works are selling like hotcakes! :) Two more sales this weekend to the USA. I am particularly happy to see this piece going to a home I know will love her. Just a reminder that my paintings can be bought online at sculptr or Boundless. Get in quick because prices (and values) will be increasing soon at this rate.

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01
Mar

Risk Taking

preliminary sketch

preliminary sketch,
by Jennie

It is an inevitable part of an artists life, facing rejection. I’m stepping up my game this year and really going for it. It’s a crazy, busy time - I’m learning a lot about my pieces and how to relate to galleries, curators and generally the business side of things. I’m taking the risks that I have to take to lift my career to the next level which is exciting and scary all at once.

Because art is such a subjective thing it is a fact that not everyone will love it. It is also a fact that any form of rejection is going to feel, in some way, personal. I am proud of the fact that I am handling rejection better and better. It helps that I have had more successes than failures, and wonderful support from everyone - including you all!

It turns out that it isn’t that scary sticking my neck out anymore. they aren’t rejecting me, and not one single committee has come back saying “oh my god your work sucks!” in fact, the more I submit the more I learn about myself and the more I believe in my work. I still have my moments, but I find it easier each and every time to stick my neck back out. after all, without the risks I can’t gain the kind of career I want. I find I am not scared of success anymore and, well, only a little scared of failure… if we leave the lights on..

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Jennie's Palette

Contemporary Figurative Artist Jennie Rosenbaum

Contemporary figurative artist Jennie Rosenbaum's random reflections, rants and rambles on Nudes, Art and the Art World.

Comments are always invited and appreciated.


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