Archive for the 'Creating Art' Category

17
Aug
10

15 cost cutting tips for artists – and where to draw the line

Extend - 5x7 Oils on Canvas

Extend - 5x7 Oils on Canvas

The GFC has tightened everyone’s belt. this is a reality, but sticking to a budget doesn’t have to be a bore and it doesn’t have to be temporary. every cost saving tip you learn now will help you out when things improve. I actually do better on a tighter budget! my post last week inspired me to create this list of tips. I’m very cheap, I search to buy everything at the best possible price and I try to save wherever possible. I do not, however, like cutting corners or losing out on quality. I want my collectors to have the best I can do while maintaining a great price and standard. I want to know that everything will last. I know you do too, so here are my tips for where to cut your costs without appearing to and where to spend those savings!

  1. many places provide cheap canvasses. these are a mixed bag. take a look at the thickness, the composition and the stretchers. whatever you do, get 100% cotton, if the canvasses are a cotton/poly blend they will warp and age badly. if they don’t state their composition you can bet they aren’t cotton!
  2. there are some companies that create excellent inexpensive canvasses, it pays to shop around and the key for these is the stretchers – often the thin stretchers on less expensive canvasses will warp, but the double wide ones not only look better but are more stable as well! plus you can save on framing.
  3. if the gesso is a little thin, or toothy you can fix that yourself by adding more or sanding it down – companies will save money by providing less ground or by not refining the surface as much.
  4. use natural earth pigments wherever possible. pigments such as sepia and umber are very common and cheap so they are inexpensive to produce in paints (no this isn’t why I use those colors.. well, not the entire reason!)
  5. buy a limited palette and blend your own colors. not only will you get better results but you can save on the more expensive real pigments by buying them in bulk
  6. use hues instead. if you have a family or you are just lazy about hazmat safety (me on both counts!) while painting you can get reasonable substitutes for the pure pigments. I have both types and while the pure pigment is often brighter I’m not sure it is worth paying double the price and having to constantly worry about heavy metals. it is pretty hard to distinguish the two in a painting in the end
  7. buy the best for the colors you use the most, you can substitute student quality or a lesser brand for tiny touches- no need to go out and buy a whole new tube of the best quality for one painting or a small accent.
  8. invest in some generic tube squeezers. my grocery store has them near the toothpaste – you will be amazed at how much you can get from that seemingly empty tube!
  9. duct tape fixes tube leaks.
  10. save your old student quality paints for playing, experimenting and random events. you never know when someone will want to borrow them. in fact, save everything – you just never know.
  11. wrap your palette in recycled plastic bags or use lunch wrap to save that unused paint for another day.
  12. buy really good brushes and take good care of them or buy cheap brushes and don’t worry as much. personally, I take the middle road and buy medium quality brushes because sometimes I take good care of them and other times I forget. this way I don’t mind so much.
  13. online companies like moo create wonderful supplies like business cards and exhibition postcards with different images for each card. Vistaprint often has free offers on their newsletter.
  14. check online art supply stores like dick blick and jerry’s artarama and sign up for their newsletters. keep an eye out for their sales and get a bargain!
  15. the most important tip I can give is to assess your 6 monthly expenditure on supplies, your output of art during that time and use those numbers to factor into your art pricing. ideally you want to make back your art supply expenses on one sale. keep track of those numbers and it will help you keep your pricing current and appropriate.
12
Aug
10

the miserly artist at work

Interlaced - 12x12 Oils on Canvas

Interlaced - 12x12 Oils on Canvas

But it’s not about saving bucks. It’s about volume of paint and the potential for juicy creativity. Expensive paints bring out your resident miser. Cheaper paints, used discretionally, are more likely to be lathered on in abundance and bravura.

Fact is, for some of us, inexpensive materials bring out the magic of playfulness.

[From In praise of inexpensive materials]

I love reading Robert Genn’s letters, they have a range of interesting observations, views, tips and ideas spanning the whole gamut of being an artist. I felt a need to write about this one in particular as it’s a subject very close to my heart. especially right now as I’ve been considering buying some new pencils currently on sale. my husband’s comment is, yes but you’d never use them- they cost so much you would want to save them for best.

this is so true of everything for me. I hate spending money (yet, ironically, I love shopping) especially if it’s on something that’s important. when I started painting again I went to a place called art shed which had enormous tubes of paint for under $5 and inexpensive 100% cotton canvasses. knowing that I hadn’t paid that much meant that I could play with paint and if they didn’t work out it wasn’t a real loss. I was free to experiment. in a way, my main style has come from my inner miser, I didn’t have much left in a tube but I wanted to make it count. it was heavily dilute and very thinly applied and I realized by accident that I could create really cool effects with it that thin.

I finally splashed out on real professional quality oils only a couple of years ago (after a large sale) because I wanted to try windsor and newton water miscible oils. my studio is in my house and Liam can’t stand the smell of turpentine. on top of that we wanted to start a family and I didn’t want harsh chemicals around (much better for the cats as well!). I do love these paints, they are wonderful quality and the clean up is very easy. but it took a very long time to get out of the saving mindset. I put the paint on very thinly (even for me!) and I tried to make it go as far as possible. The funny thing is, the tubes are not as robust and splitting. the lids are breaking too – so I have to keep using them as much as possible and not worry so much. the threat of losing the entire batch is freeing me up to play once again.

I still buy art shed canvasses, they have a range and I buy their upper range now rather than the cheapest. it’s still affordable enough that I don’t feel too bad if the painting goes badly – at least not about the cost! I also use one of their easels, which, as far as I can tell, is just as good as any other. the trick is knowing where to cut the costs.

29
Jun
10

What I Like Most About My Job – Artistic Freedom!

Silf - Acrylic and Gesso on Canvas by Jennie Rosenbaum

Silf - Acrylic and Gesso on Canvas by Jennie Rosenbaum

Being an artist is like being a kid in a candy store. the world is full of colorful possibilities- ideas overflowing, shiny packages and tasty treats waiting to be explored. there is always something new around the corner!

at other times it’s like being the owner. you get the same surroundings, but you get to make money from it and work hard for your passion.

I love having a job where I am paid to let my mind wander. where I can live on my imagination. I also get free reign to be a complete disorganized mess (read: artistic), to be grouchy randomly and to wear what I like.

I also have Pink hair. or purple, or teal or whatever I want. it’s ultimate freedom to be myself.

20
Jan
10

Even more free nude models!

Free 3D Models
free nude models at Daz|3d

Update to my free nude models (and other stuff) post – Daz are now offering all of their base models for free!

go here for all the free models you could want for artistic reference.

for the bundles including morphs, characters, hair, clothes and more check out this link

Personally I am very excited about this because it gives me the opportunity to start looking at a series I am interested in pursuing in protest of the new legislations currently under debate in Australia. that’s right, no sooner do I start one series that another pops into my little pea brain and I get all excited about that one instead! don’t worry, I am still painting my burlesque series.

and no amount of free will be cheap enough for me to clog my runtime with The Girl.

03
Jan
10

the decade that was – part two

Composed 10x12 Oils on Canvas
Composed 10×12 Oils on Canvas by Jennie Rosenbaum

Most of that was 5 years ago. since then I have:
had many exhibitions, solo, group, juried, international and local

developed signature styles

studied photography at RMIT and drawing and painting at Curtin University, all online

learned how to use 3D modeling to give me access to all the models and lights I could ever want

worked through many of my psychological issues on canvas

produced a large body of work

sold a large body of work

received awards and acclaim

fought legal battles, won some, lost some, still going on others.

became a pensioner, received my parking permit, got a cane to help me walk and used it to walk and walk and walk

saw many many many movies

formed groups for nude art online

formed a group for disabled artists

met my artistic hero

became an activist for nude rights and the fight against censorship

started a pretty successful blog

used my previous business experience to propel my career forwards while learning new tricks

discovered the joys and the addiction of social media

got a tattoo

learned how to budget, manage finances and save

got knocked up! it’s a difficult pregnancy but i’m still pushing ahead with my work and my strength building- some may say I’m insane but as long as I have my work to focus on I can get through anything. including pukeahontas.

been truly happy.

07
Dec
09

Nude of the Week – Composed

Composed - a new nude by Jennie Rosenbaum

Composed

Oils on Canvas
10 x 12 in

$250

This painting has been quite a struggle to finish. I started it a few months ago and although it started really well, every time I went to work on it I would almost pass out from nausea and dizziness. my techniques rely on fast work using wet paint and as I use thin washes it dries quite quickly (especially in Australia). I almost threw it out and started again but I knew there had to be something there. the past couple of weeks have been easier so I have been able to tackle what once felt so impossible to me. I feel a deep sense of satisfaction in finishing it. like I claimed part of myself back by refusing to let it slip away.
this is my first work exploring volumetric lighting. yes I am obsessed with it, I see it everywhere. it’s quite difficult to capture because it’s.. well.. light.. it’s easy to overwork the beams or to underwork it but I am learning so much about the nature of light.

01
Dec
09

perfectionism adjustment

Release 12x12 Oils on Canvas
Release – Oils on Canvas by Jennie Rosenbaum

I think the key to overcoming a block is to just go into the studio and paint. the trick is that you have to surrender to the possibility of creating crap. this is something I’ve been warring with internally for months now. this may have been one of my longest blocks yet. I could create ideas, I could sketch, but I couldn’t seem to create paintings. this happens to me quite a bit. often it is followed by a surge in creativity and an upgrade in skills. however, these days as a professional I don’t have the luxury of just waiting for it to come back to me in it’s own time. I have to create. I have to produce. I am also a perfectionist so every piece must be the very best I can do and an improvement on the last. anything less than an improvement is seen by me as a failure. and I don’t like to fail, it’s be perfect or don’t do it at all.

this is an attitude that needs adjusting.

I’ve been increasingly aware of my own anxieties about perfection and failure. I have also been learning the key life lesson that I have to make mistakes in order to grow. that my need for perfection and completion is holding me back from my dreams and goals. this probably seems stupidly obvious to most of you, but for me it’s been a real struggle to comprehend- and it’s something that has to come from within. one of these stupid things that everyone can tell you but you still have to work it out for yourself.

so last night I couldn’t sleep. I decided to hit the studio, see if a different time slot could shake things up a little. I am reassured that at the moment I am experimenting with volumetric lighting and that experimentation necessitates mistakes. this is a good way for me to move forward and hopefully progress beyond this block.

10
Nov
09

Censored for censorship

Interlaced - 12x12 Oils on Canvas
Interlaced – 12×12 Oils on Canvas by Jennie Rosenbaum

Last week I received a rejection phone call. not a form letter, but a call to explain why my proposal regarding censorship had been rejected.

A couple of months back I submitted a proposal for an installation. it was for an art project set in a series of empty shops in a suburb of Melbourne. I decided rather than submit a series of paintings to be put on display I would go for something different. I would test myself and the people running the project. I decided to do an installation.

the concept was to show a gallery forced to close because of the subject matter in the artwork. I took real examples from national and international censorship issues and decided to show my works covered up in the same, brutal, methods used. duct tape, paper plates, garbage and paper bags, and empty spaces where the works were obviously so controversial as to be removed entirely. everything was going to be applied carefully to not damage the works but look as harsh as possible. the look was to be of a gallery that kept trying to appease everyone and still had to close down because nobody wanted to buy works they couldn’t see. and that clearly there was nothing wrong with the works to begin with. The reason for wanting to use my own works was accessibility, I needed to be able to install this at the drop of a hat, and the sheer lack of contention surrounding my works. I also don’t mind treating my work this way to make a statement but it’s a lot to ask of anyone else.

The proposal raised a lot of debate among the committee. some were in favor of the idea as original and well thought out, a chance for discussion and publicity. others saw all of that as a bad thing. they were concerned that it would be over the communities heads, that debate was not what was needed at the time and controversy should be avoided. some were worried it was too conceptual, others were worried it would be too real and spark real problems. apparently the debate grew quite heated. so much so that I received some quite confusing postal communication. the outcome is that it was just too controversial and contentious for the neighborhood.

so how do I feel about this? oddly elated. my proposal was debated, it raised voices and contention. it got people thinking. it may be that it wasn’t right for this project but I count this rejection as a success. I will be submitting the proposal to other galleries and storefront projects – I am confident that it will be taken up by someone. not as a profitable venture but as a statement. one that needs to be made.

if you know of a project or gallery that might be interested I welcome your suggestions :)

02
Nov
09

Sketchbook Library Over The Top – Burlesque Series

Over the top - a new nude by Jennie Rosenbaum

Burlesque Series – Render 1

Digital Art

I’ve been a little slack in updating these images on my blog. I’ve been adding them to my Facebook Fan Page pretty much as they are done but my foggy brain forgets that I need to add them here as well.

This is the render in response to my original sketch. After creating a quick sketch I ‘flesh’ the idea out with a 3D render of the subject. this is where I can really play with lighting, mood and get the pose just right. The final oil painting is a combination of the two. I’ve been very excited and inspired by volumetric lighting recently (the beams of light like there were dust motes or fog in the air around the model) and am looking forward to getting into the studio to work out how I will produce these effects in oils.

27
Oct
09

Loss

WIP - Loss
WIP – Loss

Last week I was in kind of a numb shell. one that I’ve tried to appease with retail therapy and mindless facebook games. why do bad things happen to good people?

This is a painting I have been working on for almost a year. I am not sure if it will ever be finished. it’s a highly emotional work created at a very emotional time. I bring it out, work on it for a while and put it away again. I feel that now is a good time to bring it to the light of day. I need to stop hiding it and hiding from it. I created it to try to explore some difficult feelings and to try to communicate them somehow. in my mind it was dedicated to a very special and very strong couple. it is now dedicated to two.

I am very sorry for your loss.




Contemporary Figurative Artist Jennie Rosenbaum

Contemporary figurative artist Jennie Rosenbaum's random reflections, rants and rambles on Nudes, Art and the Art World.

Comments are always invited and appreciated.

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