Archive for the 'News' Category

03
Aug
10

Bill Henson: my impressions

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Photographer Bill Henson. Photo: Adam Hollingworth SMH

millennial slippage is the term coined by Bill Henson to describe the current state of affairs worldwide. He emphasized that “The truth of art” should be exposed to our children, that we should never forget our artistic and cultural history. it’s on the basis of this that we can move forward rather than submitting to this millennial slippage.

The speech last night was excellent. Listening to Bill Henson discuss various cultural references, I looked around at a variety of young, blank, faces and I felt how true some of his statements were. we do need to expose our children to art, to history, to culture. art is the expression of history and the cumulation of our civilization. I was struck by Henson’s self effacing nature. watching him you would never know that someone so apparently shy was embroiled in such a shocking controversy that rocked the art world two years ago. It was interesting how little he cited his own work, preferring to discuss literature, composers and classic painters.

The political nature of the lecture was fascinating as he skirted any specific examples and avoided namecalling, calling instead for a return to statesmanship and common sense with more respect for the arts- both historical and current. I believe he feels truly wounded by Kevin Rudd’s insensitive and ill informed comments about his works, but rose above it to be the bigger person (as opposed to the way it was described in The Age).

I was particularly interested in the discussion about consent and censorship. His defense of the censorship board came as a surprise to some. giving credit where credit was due, he made it clear that the board were very supportive through the entire ordeal. The media have leapt on his comments about consent, afterall, Henson attacked a sacred covenant, contact sport for minors. this was a much more controversial statement than his research that life modeling for artists has no documented history of causing trauma to minors. The reverse appears to be true as so many previous models came to his defense during the scandal and remain solid friends.

I rose above my fear of public speaking to ask a question about the attitudes towards the nude in australia. his answer, in essence, was that he believes this is a wave and that most people are smart enough to realize the ridiculousness of the current attitudes, that the nude is a constant through these waves of attitude and censorship and will remain. I wish I agree that commonsense will prevail!

I wrote copious notes and will write about this further, I want to digest my thoughts more before I do. Needless to say, it was a pleasure to listen to such an articulate, genteel soul speak with passion and conviction. for further comments and observations please read Peter Ryan’s commentary at his blog.

28
Jul
10

nude nazi mickey enflaming viewers

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The poster, which was unveiled a month back, is an artist’s take on what he calls the “horrors” of the American lifestyle.

“This art provocation is a form of violence
against the sensitivity of many people,” Norbert Napieraj told The Associated Press.

The Prosecutors, however, claim that the poster is art which does not violate the country’s laws against glorifying Nazism.
The poster has been vandalised twice since it was put up but gallery director Maria Czarnecka said that she does not plan to remove it.

Czarnecka told The Associated Press, “Art should be provocative and controversial.”

She insists that the poster does not intend to propagate Nazism but instead wants to explore “symbols and how they work.”

[From Mickey Mouse goes nude? - Hindustan Times]

I admit that I find this work fairly unimaginative, it reminds me of the sort of thing you see first year art students creating as they rail against the status quo. it’s angry and designed to offend. the good news is that this time it isn’t the nude that’s causing the furor- thank goodness for that! I agree that art should be ‘provocative and controversial’, that is one of the many points of art, but there is a fine line between designing something to be provocative and creating it in order to offend people. The massive swastika does seem to glorify nazism – how can it not? it’s the first thing you see. it’s the primary focus. perhaps adding more symbols to reinforce their key concept may detract from the implied glorification, I don’t know, but it seems a little inflammatory to me.

I’ve always wondered about artwork like this. when the message is so blatant, and the intent is worn on it’s sleeve (frame?) what is there to ponder? what makes you return to the work? what makes it relatable to people?

16
Jun
10

Building Blocks in Michigan ‘Not a sex act’

Building Blocks by Mark Chatterley

Building Blocks by Mark Chatterley

Nonetheless, Miller says this week Chatterley will come to St. Joseph to disassemble the sculpture and re-assemble it inside the gallery. That way it will be out of the view of the general public.
“We are hearing their voices and because of the sensitivities of some, we’ll move it into the galleries,” said Metz.
“To have to drive back and move it because people are offended by the content, in my wildest dreams, I’d never expected that piece to do it,” Chatterley added.
“I want to be very clear. There is not a sex act happening in this work. There is no genitalia. If you look at it closely, there is not a sex act happening in this work. The Krasl would not put a piece of work on display in which the interpretation I’ve heard would be happening. We would never do that. I do empathize. I do see where people could have that interpretation,” says Miller.
The fallout from “Building Blocks,” however, is creating some unintended consequences.
“I’m both extremely frustrated and elated. I’ve seen more people stop and look at our sculpture than in the last two years,” Miller says.

[From Sculpting controversy on the lakeshore | WSBT - News, Weather, Sports South Bend | Local News ]

I think it’s great that the arts center is receiving more visitors and notice as a result, that’s a great way to expose people to art. it’s a shame that the controversy is forcing them to move the sculpture. I agree with the Artist Mark Chatterley that it comes as a real surprise. I can’t help but think that if they move the piece the people who think that it’s a sexual piece will feel vindicated. even others will be wondering if there is something wrong. giving in to the great unwashed often makes them believe that they were right all along. this ends up being counter productive for the arts. take a look a the alt tag for this piece in the article- it;s titled and named “obscene_art.jpg” -does that tell you something? it might be for Google’s benefit or it might be their opinion but either way it seems to be very biased

What gets me is that these can barely be called nudes. they are so androgynous and stylized that they don’t have any details that might be offensive. it’s the positioning of these humanoids that seems to be the issue for everyone, get your head out of the gutter! the thing about art is that you bring what is in your mind to what you see.

Do you think this piece is dirty?

03
Jun
10

Unscheduled nudity and vomiting- visitors react to Abramovic at MoMA

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He just ran up to the outer ropes stuck his fingers down his throat and threw up. He then stumbled back and tried to throw up again, but not much came out. The guards grabbed him and kicked him out. Marina didn’t move the whole time

[From Vomit! Nudity! Litter! Marina Abramovic's Marathon Performance Ends In Chaos]

The Artist is Present has now finished it’s run at MoMA. this piece has been laced with controversy from the beginning and has fascinated the public and the web. what is particularly interesting is the implied permission for audience participation that has led to behavior both interesting, sad and strange. it is extremely sad that some visitors felt the need to grope the nude figures on display, it’s strange that someone voiced his lack of appreciation by vomiting and it’s very interesting that a woman was so moved by the exhibition that she chose to do her pace to face participation in the nude.

…I thought hard about how to thank her—write a letter, make a film and hand it to her when I sat with her? When I landed on the idea of sitting naked across from her, I knew that was it. I could be, for a moment, as vulnerable to her as she constantly makes herself to us.
Alas, when her moment came, and she disrobed, seven security guards quickly made their way over to escort her out of the museum. Decker tells us:
I thought nudity would bring joy, spontaneity! Not TEARS, CHAOS. I honestly thought that the worst that would happen was that I would be asked to put my clothes back on. I still can’t believe I was escorted out of the building by a group of guards and told that if I returned, I would be arrested. In “The Artist is Present,” the audience is a huge part of the work, and by entering that space and following the rules (sit silently, do not bring anything into the space, maintain eye contact, and the unstated one: don’t touch Marina), I expected any audience member could stay as long as he or she was willing to be present.

[From Marina's Unexpected Nude Speaks Out - Gothamist]

I actually understand her thinking here, it’s the kind of statement I would have been tempted to make as well. sometimes things can only be expressed with nudity. it’s a shame that MoMA didn’t see it that way, perhaps if she had pre-arranged it, it would have been fine. I wonder if it was the act of getting undressed that was the problem rather than the nudity itself. it seems to me nudity is often not remarkable, but the process of moving from clothed to nude creates a sexual context, and the inappropriateness. I do wish that Decker had been allowed to express herself the way she wanted.

This piece keeps reminding me of the buckingham palace guards. and reminds me of how seeing that stoic determination and discipline makes people irrationally want to break it. it’s a need we seem to have. why is that?

28
May
10

no Pride in censoring nude art

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Mansweat by Debauch

Many GLBT community members have become increasingly concerned that Pride seems less and less Queer friendly and more driven by the almighty buck. Jennifer Pritchett, owner of Smitten Kitten, states “When you let money make decisions for you, you run the risk of those decisions being antithetical to your mission.”

Debauch has been contacted via email by Dot Belstler, the current Executive Director of this year’s Twin Cities Pride. Belstler writes, “I am so sorry this has caused you and your colleagues such pain. It was certainly not the intent – nor was censorship. In the future, we will attempt to be more clear in the call for Art, but please understand that sexually explicit content must be handled with sensitivity.” She also addressed the issue of censorship in the following statement “In this particular case, I believe “Mansweat” may have been confused with the full frontal nudity pictured in “Morning on the Balcony.” Of course “Mansweat” is not too erotic, it is a beautiful painting and we would be proud to display it in the show.”

These comments have left many wondering what constitutes erotica in a digital age. Any search engine will pull up a flaccid penis photograph while searching for information about syphilis. As for art and nudes – sculptures of male nudes grace the entries of some of our most noted institutions including Westminster Presbyterian Church.   In this age, why should an oil painting of a male nude without an erection be considered too hot to handle?

[From Too hot to handle: Pride drops artist’s work saying it’s too erotic | Twin Cities Daily Planet]

The issue of erotica and the queer community is a tricky one. there are the quite right concerns that the dollar is becoming too important, that the conservatives and sponsors are taking over and quashing expression. I hope this is not the case. there is also, often, a concern within the community itself that too much erotica can underplay the seriousness of queer rights, fostering and reinforcing the opinions that being queer is all about sex, that everyone GLBT are unrestrained hedonists. I don’t hear that in this article, but I have heard it voiced as a concern in other Pride style events and I can’t help but wonder if this so-called mix up is due to the dollar, to perception or just to plain fear. the email certainly smacks of frantic backpedaling.
When an artist is well known for their sexually explicit works it often becomes hard for them to gain acceptance for their non sexual art. combine that with the fact that the artist is (gasp) gay and there is a ticking time bomb waiting for a ‘misunderstanding’ like this. it’s unfortunate that it is so hard to straddle both sides of the fence in this respect. usually you have to be either one or the other. People always seem to want to put things, people, artworks, into a box, label it and put it away. Events like Pride should be about breaking out of boxes and away from labels- not reinforcing this habitual behavior.

21
May
10

no nude by kishin photo shoot under fire

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NO NUDE by KISHIN 1 20XX TOKYO (単行本(ソフトカバー))

If convicted, Shinoyama faces up to six months in prison or a fine of up to Y300,000 ($A3,861.25).The cemetery was one of a dozen public locations in Tokyo where two models posed nude for a photo collection titled, No Nude by Kishin 20XX, which was released in January 2009.

Shinoyama said in a statement on Thursday the models took off their clothes only briefly, ‘‘seconds or up to two minutes at the longest’’.

He was concerned about the definition of public indecency, which could discourage artistic expression, he said.But Shinoyama added,

‘‘I humbly accept the case as a lesson, and I will pursue my challenges to new forms of expression.’’

[From Kishin Shinoyama charged over nude photoshoot at cemetery]

Kishin Shinoyama is an iconic Japanese nude photographer. his work has gone a long way towards changing the attitudes towards nude art in Japan over the years and has certainly developed a following, I have found the unusual shapes he creates and interesting lighting rather fascinating. the photobook images were photographed in a range of locations, railway tracks, and most notably a cemetary. what is interesting about the charges here is that this case began in late 2009 for a book that was published i January and a shoot that took place in 2008. This quote is from an article from the original raid in November last year.

Police investigators searched the office and home of Tokyo-based photographer Kishin Shinoyama on Tuesday on suspicion of public indecency over the shooting of nude photos for his book of photos “20XX TOKYO.”

The investigators also raided the office in Tokyo of a talent agency to which one of the two models, a 21-year-old actress, belongs.

Shinoyama, 68, allegedly took outdoor nude shots of the models in Tokyo from mid- to late August 2008 in situations where anyone could see them, the police said.

The Metropolitan Police Department also plans to question Shinoyama, police sources said.

[From Tokyo-based photographer's office, home raided over nude photo shoot | The Japan Times Online]

Apparently it took this long to question him.
it should be noted that the fine isn’t actually that stringent, but the threatened jail time is. the basis for all of these allegations is purely on the photographs themselves. no witnesses or complainants have come forward, there appear to be no damages or issues, just a hearsay (see-say?) almost two years after the initial photoshoot. no statement has been made about whether any permits or permission was granted at the time. I think it is sad that Shinoyama believes that he should “pursue [his] challenges to new forms of expression”. I hope that doesn’t mean that he is planning to give up the nude altogether just because of this issue when there seems to be so little basis for a case.

13
May
10

rare Constable nude uncovered

article-0-098912AE000005DC-705_468x732.jpg A female nude sketch by John Constable has sold for £20,000 after it was covered up for 145 years by its prudish owner who thought is was too risqué.

The pencil drawing featuring the bare bottom of a naked woman was placed in an album of other work by the English artist, and had a dinner invitation pasted over it.

The owner, thought to have been a British aristocrat, decided to hide it as she didn’t want to offend people when showing off the album.

[From Rare nude sketch by Constable uncovered after being hidden away by prudish owners | Mail Online]

this is the kind of art find collectors dream about, a seemingly ordinary purchase with a delightful surprise like an artistic box of crackerjacks. Constable is well known for his landscapes mostly, beautiful classic realist works like the Hay Wain. This nude, however is so elegantly simple, the curves suggested in elegant sweeping lines. I’m thrilled to see it uncovered and going to a new owner who will treasure it.

I wonder, sometimes, if the pendulum is swinging back this way, if we are re-establishing victorian prudishness and attitudes. at times when I fear that I like to remember the proliferation of underground nude art, ribald cartoons and interesting pornographic and sexual paraphernalia. the surface of the victorian era was pristine but it had a delightfully seedy underbelly. true that the stuff that was considered shocking then is nothing compared with what we see today, but I think that there is a parallel between what people will admit to and what people actually do. we have the same two faced dichotomy today as we did back then.

would you like to come up and see my etchings?

05
May
10

world record set by Picasso’s Nude, Green Leaves and Bust


Nude, Green Leaves and Bust by Picasso

A rarely -seen Pablo Picasso painting of his mistress sold for $106.5million (£70.2million) at auction last night, a new world record.

‘Nude, Green Leaves and Bust’, which had a pre-sale estimate of between $70million and $90million, went to an unidentified telephone bidder at Christie’s in New York.

There were nine minutes of bidding involving eight clients in the sale room and on the phone, Christie’s said.

The final bid was $95million, but the buyer’s premium took the sale price to $106.5million.

[From Picasso painting 'Nude, Green Leaves and Bust' fetches record $106.5m at Christie's | Mail Online]

I think it is interesting that nudes consistently set records in sales at auction. it says something about the high end world of art collecting.

a lot of speculation has been made about this work and this auction over the past few days, I often wonder if the hype over an auction becomes a self fulfilling prophecy where the bidders seek to live up to the hype and create the records that have been the subject of speculation. I also always wonder, with high end art auctions, how much the art really plays a part. if a piece has been publicized this much isn’t the owning itself a status symbol? will the art be purchased and enjoyed or will it go into a vault somewhere to gather dust and ducats? will it be appreciated as a work of art or as a status symbol? or both?

there has also been speculation that this heralds the end of the dry art market and is a sign of the end of the recession. I think that we can’t read too much into it. in any market a Picasso is a good investment.

03
Mar
10

India’s loss, Qatar’s Gain – M.F Husain to receive Qatar nationality

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Maya with Pink Elephant by Maqbool Fida Husain

I have personally accompanied Mr. Husain to court proceedings in Indore and have first-hand experience of the harassment and terror he faced from bigoted mobs. I received him in Mumbai on his return from the first of his temporary exiles and saw what insecurity and uncertainty this creative genius had to endure in rising India. It is ironical that a country whose religious art often portrays nudity and even overt sexuality, as in the case of the Khajuraho sculptures and the murals and frescoes of south Indian temples, has grown so intolerant as to drive into permanent exile its most famous artist.

I know no one more genuinely and deeply committed to the composite, multi-religious, and secular values of Indian civilisation than M. F. Husain. He breathes the spirit of modernity, progress, and tolerance. The whole narrative of what forced him into exile, including the shameful failure of the executive and the legal system to enable his safe return, revolves round the issues of freedom of expression and creativity and what secular nationhood is all about.

The conferment of Qatar nationality is an honour to Mr. Husain, to his artistic genius, and to the India-rooted civilisational values he represents. Nevertheless, it is a sad day for India.

[From The Hindu : News / National : M.F. Husain gets Qatar nationality ]

It is wonderful that an artist like Husain, who has been so vilified by his home country, has found acceptance and a new life for himself. the First Lady of Qatar has commissioned a series on the history of the Arab Civilization, which Husain is working on in conjunction with a series on the history of the Indian civilization- should make for some interesting works that will, no doubt, enrage extremists in India further. such a shame.

I’ve written about M.F Husain extensovely in the past. here is a list of posts tracking the controversies surrounding India’s Picasso and his startling nude works.

16/09MF Husain’s Nude art aquitted

12/05Nudity is a part of Art – MF Husain Exonerated

24/03Controversial Nudes did sell… and well

20/03Declaration of war against art?

18/03controversial nudes sell

11/12Nudes are not anti-Hindu

07/02Nudes Spreading Peace

01
Mar
10

5000 live nude bodies in Sydney for Tunick Shoot


The Base at the Opera House by Spencer Tunick

Inhibitions were soon forgotten as people struggled to keep warm and fulfil Tunick’s endless instructions.

“I’m not the world’s best photographer but I am an artist and a perfectionist,” he said, as he exhorted 5000 people to work in unison.

“And I want us to make an artwork you’ll be proud of.”

Six or seven positions later came Tunick’s most confronting request.

“If you came with a partner, I want you to kiss your partner. If you came with a friend, I want you to kiss your friend. If you came alone, I want you to turn to someone else who is alone and kiss them.”

Eventually he relented and added “or embrace them”.

Suddenly I was aware of being alone in a crowd: I was surrounded by couples. Bounding up several steps I came face to face with an elderly man in the same predicament. We took one look at each other and embraced, admitting that, while it felt a little strange at first, it was a pleasant enough way to keep warm. Now the crowd really were as one. It was a beautiful moment.

Once Tunick gave the disband signal, most people scrambled for their clothes, while some hung back, grabbing the unique opportunity to take happy snaps of themselves starkers at the Opera House.

As I dressed, I was relieved to be warm again at last but also a little disappointed that it was over so soon.

[From I was a model for Spencer Tunick - Arts - Entertainment - smh.com.au]

I love the idea of the different poses and the concept of the kiss. I am looking forward to seeing the final photographs and genuinely sorry I had to miss out. this is such an inspiration that people can shed their inhibitions and realize that it’s all just skin, we all have it and there is nothing that special, shameful or worrisome about it. it’s another step forward- especially in a country that is seeing way too much in the way of censorship. Congratulations to all participants!

for videos of the nude shoot and some of the results visit the SMH website




Contemporary Figurative Artist Jennie Rosenbaum

Contemporary figurative artist Jennie Rosenbaum's random reflections, rants and rambles on Nudes, Art and the Art World.

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