Archive for the 'Rambles' Category

07
Jul
10

Psych this!

Consternation - 12 x 12 Oils on Canvas
Consternation – 12 x 12 Oils on Canvas

So I have to start going to therapy soon. as part of my pain management I need to see the pain psych to treat my anxiety and depression issues. this is not something I want to do. apart from the fact that I can think of nothing worse than griping for an hour and then being told to go on mind numbing drugs, I really don’t want to dredge up all my old issues. They’ve suggested that I have Post Traumatic Stress Disorder and that with counseling I could do really well. I think I’m probably fine as is (as long as I avoid certain triggers!)

I’m a burier. I like to suppress my problems and eventually paint about them. over the years I’ve come to terms with a lot of drama and I’ve reached a kind of understanding with myself. it may not be the healthy way or the right way but it works for me. most people are amazed that as a chronic pain sufferer I have few depression issues. the ones who know about all the other things that happened in my life to make me me are often really amazed that I am as sane as I am. but every time I have to rehash old ground, terrors and issues it gets harder and harder to reign in the crazy.

sometimes I wonder if I hold onto my issues because they give me fuel for my art. that if I were well adjusted and normal that my work would lose that emotive spark that everyone seems to like. I’ve seen some psychs in my day- some were good and others contributed to my traumas. but the picking at old wounds just causes them to fester it seems, rather than letting them close over and heal.

03
Jun
10

Unscheduled nudity and vomiting- visitors react to Abramovic at MoMA

2010_05_marinastreak.jpg

He just ran up to the outer ropes stuck his fingers down his throat and threw up. He then stumbled back and tried to throw up again, but not much came out. The guards grabbed him and kicked him out. Marina didn’t move the whole time

[From Vomit! Nudity! Litter! Marina Abramovic's Marathon Performance Ends In Chaos]

The Artist is Present has now finished it’s run at MoMA. this piece has been laced with controversy from the beginning and has fascinated the public and the web. what is particularly interesting is the implied permission for audience participation that has led to behavior both interesting, sad and strange. it is extremely sad that some visitors felt the need to grope the nude figures on display, it’s strange that someone voiced his lack of appreciation by vomiting and it’s very interesting that a woman was so moved by the exhibition that she chose to do her pace to face participation in the nude.

…I thought hard about how to thank her—write a letter, make a film and hand it to her when I sat with her? When I landed on the idea of sitting naked across from her, I knew that was it. I could be, for a moment, as vulnerable to her as she constantly makes herself to us.
Alas, when her moment came, and she disrobed, seven security guards quickly made their way over to escort her out of the museum. Decker tells us:
I thought nudity would bring joy, spontaneity! Not TEARS, CHAOS. I honestly thought that the worst that would happen was that I would be asked to put my clothes back on. I still can’t believe I was escorted out of the building by a group of guards and told that if I returned, I would be arrested. In “The Artist is Present,” the audience is a huge part of the work, and by entering that space and following the rules (sit silently, do not bring anything into the space, maintain eye contact, and the unstated one: don’t touch Marina), I expected any audience member could stay as long as he or she was willing to be present.

[From Marina's Unexpected Nude Speaks Out - Gothamist]

I actually understand her thinking here, it’s the kind of statement I would have been tempted to make as well. sometimes things can only be expressed with nudity. it’s a shame that MoMA didn’t see it that way, perhaps if she had pre-arranged it, it would have been fine. I wonder if it was the act of getting undressed that was the problem rather than the nudity itself. it seems to me nudity is often not remarkable, but the process of moving from clothed to nude creates a sexual context, and the inappropriateness. I do wish that Decker had been allowed to express herself the way she wanted.

This piece keeps reminding me of the buckingham palace guards. and reminds me of how seeing that stoic determination and discipline makes people irrationally want to break it. it’s a need we seem to have. why is that?

03
Feb
10

10 Ways to beat post exhibition blues

Interlaced - 12x12 Oils on Canvas
Interlaced – 12×12 Oils on Canvas by Jennie Rosenbaum

Something that I never knew when I started exhibiting was that it’s very common to have the post exhibition blues. in fact, almost every artist I have spoken to has had this issue. there is a let down after the huge event. you spend so much time focussing on it all, creating artworks, hanging, publicizing, it becomes a massive high capped off by the opening. then, suddenly, it’s over. and your life can seem.. empty, it can be crippling- my first exhibition had me lost for over a month in a deep depression.

after that first experience I decided that this should be something that can be avoided and I’ve been actively working on it ever since. these are my tips for beating that post-exhibition depression.

  1. Have a new series or body of work you are really excited about and ready to get started on. the sooner you get back into the studio the better. that’s why you became an artist!
  2. On the night of the opening go out to dinner with collectors, friends, family. a nice group of people you can enjoy who are going to give you support, distraction and a great come down after a perfect night.
  3. Don’t drink during the opening. nurse a glass of wine all night or have something else. alcohol is a depressant and you want to be sharp on the night.
  4. Keep a file of “warm fuzzies” – emails, comments, tweets of nice things that people have said about your work. refer to it at need!
  5. Spend 15 minutes in your studio each day, even if it is just looking out the window, sketching, looking at books, old sketchbooks, going over ideas, surround yourself in your art.
  6. Give your studio a spring clean. if you are like me, after an exhibition everything is in chaos. tidying it all up gives you a sense of closure, and a clean studio always beckons for new work!
  7. Try a new medium you’ve been meaning to try. experiment and have some fun!
  8. Tally up all your achievements at the exhibition, no matter how small. the people you gave your cards out to, the new mailing list signups, the good things that were said and done.
  9. Buy yourself a new sketchbook or brush or something, a nice treat to pat yourself on the back. it needn’t be expensive or large, just a celebration.
  10. Don’t focus on all the things you should have done or wish you had done. remember them for next time and move on. start planning the next big thing!
27
Oct
09

Loss

WIP - Loss
WIP – Loss

Last week I was in kind of a numb shell. one that I’ve tried to appease with retail therapy and mindless facebook games. why do bad things happen to good people?

This is a painting I have been working on for almost a year. I am not sure if it will ever be finished. it’s a highly emotional work created at a very emotional time. I bring it out, work on it for a while and put it away again. I feel that now is a good time to bring it to the light of day. I need to stop hiding it and hiding from it. I created it to try to explore some difficult feelings and to try to communicate them somehow. in my mind it was dedicated to a very special and very strong couple. it is now dedicated to two.

I am very sorry for your loss.

08
Sep
09

Bio Drive

new profle pics

So I’ve been thinking that my biography is a bit boring, a bit old and a lot dated – in short, I am over it. so I’ve been working today on writing up a new formal biography and a less formal “about” for my websites and stuff. I’d love your input, I’m really terrible at writing about myself (which is why my personal blog is crammed full of stuff about art censorship really). these are still works in progress obviously :)

The Formal Bio- These have a format and need to be a narrative of your CV in a few paragraphs, you need to talk about your accomplishments, education and introduce your artwork. it’s 3rd person and a bit of a yawn fest to write. and probably to read.

The human body has held constant fascination for Jennie Rosenbaum, partially due to her studies in art history and anatomy, and partially due to her own relationship with her body, both in image and after a car accident that left her with a chronic pain disability.

Jennie has exhibited her artworks worldwide. Her art has been shown at Miami Art Basel, at numerous Melbourne galleries, in New York and Boston. Jennie has donated works to support bushfire victims and VisualAIDs. Jennie’s artwork has gained rapid popularity online winning awards at barebrush.com a site dedicated to nude art.

Jennie works to maintain the image of the nude in art and writes a blog about censorship in art. She also leads nude advocacy groups and a group online for people with disabilities.

Jennie Rosenbaum excelled in art and art history at school and studied archaeology, painting, drawing and photography at the University of Monash, Curtin and RMIT. She has also worked closely with artist Donald Cameron in his studio and had the opportunity to be part of a specialized life class at the National Gallery of Victoria. Jennie is an American working from her home in Melbourne, Australia.

The informal Bio, about page type thing. this is when I started to run out of steam..

It shouldn’t take being hit by a car to discover your passion in life, but that is precisely what happened with me. In order to quench the pain of my new disability I returned to my first love, painting. Always technically proficient, my works lacked a certain something. But now my new focus allowed me to expand my interest into a new career with a new sense of abandon imbuing my artworks and a new emotional quality that has propelled my vision ahead.

I started studying again, taking classes online from universities like Curtin and RMIT to fill out my prior art education at Monash university. I painted and evolved my signature styles, almost by accident every time. I have worked to get my artwork out online, offline, and into the hands of collectors worldwide. I have exhibited internationally and locally, received awards for my artwork and excellent reviews.

My studio is in my home where I can paint at any time of the day or night. I live with my husband and two cats and rely on my iPod for those late night painting sessions. I also maintain a blog where I write about censorship issues and nude art and maintain nude advocacy groups. It is one of my missions to help change attitudes about the nude in art.

strangely I found it quite a depressing experience, I’m supposed to list my achievements and really I thought by now I would have more. perhaps it’s just me and my changing goalposts, my unrealistic expectations of my career and where I want it to be, but I want more dammit!

25
Jul
09

“I am Bi, Female and Proud. I want no god who is disappointed in this”

GoMA-AS-crop.jpg
Ruth Naomi © Anthony Schrag

The open Bible is a central part of Made in God’s Image, an exhibition at the Gallery of Modern Art (Goma) in Glasgow. By the book is a container of pens and a notice saying: “If you feel you have been excluded from the Bible, please write your way back into it.” …

…Third, the comment I quote in the title for this piece falls into that category of topics that really begin to open up possibilities for any religious thinker not hellbent on regurgitating the same old line and truly interested in seeing Christianity reach a new generation:
One writer has altered the first line of the Old Testament from “In the beginning God created Heaven and Earth” to “In the beginning, God (me) I created religion.” Another has written “The Gospel According to Luke Skywalker”.
Whether the Church likes it or not, these sentiments (that man created religion and that morality lessons come to us via Pop culture more these days than via the Bible, and perhaps that’s OK) are the context in which the Church must today demonstrate its relevance. Those genies are out of the bottle, and only through the most draconian of measures could the Church get them back in again without addressing and discussing them openly.

Fourth, the sponsors of the exhibition are indicating they plan a highly disturbing response to the criticism:
Last night the producers of the exhibition indicated that the most offensive pages would be removed….
Really? Who decides what’s offensive? Some would say the entire concept is offensive, others would say censorship is even more offensive. This is a very bad idea in my opinion. If you can’t take the heat, close the show. Don’t edit it on the fly. You’re never going to find that happy middle ground in this.

[From Edward_ Winkleman]

This post by Edward Winkleman is a delight to read like many of his posts. between discussing the literary content of the Times article and listing it’s deficiencies one by one he has outlined more about the exhibition and it’s intent than the original article.

I find the concept rather interesting frankly, I would like to read the changes, funny and not, that people have written and see what others have to say. I hope that if it is censored the creators will consider making it an online project that people worldwide can contribute to. I hope that some priests and reverends take the time to read the comments to add relevance to their sermons and to draw in people.

The indication to me of this project, is not one of “lawlessness” (what laws have been broken?) but one of people crying out for help. obviously some of the messages are inflammatory or not intended to be serious- and that, too, is part of free speech and should not be ingored. I think that those in the pulpits would to well to heed the cries and try to tend their flocks.

I am not religious, but I find religion deeply fascinating. frankly in these times I think more and more people probably need the comfort and solace that religion often brings to those who believe. but without relevance they will be losing people, I remember listening to sermons bored because I couldn’t see how any of it applied to me. without answers I went looking for something else, I actually studied religions and different texts and ended up taking a bit of a hodgepodge of different faiths and forming my own basis of belief around my life experiences and bits and pieces of everything. it works for me. it’s relevant.

anyway,

I think if the gallery had been concerned as to the backlash they could have shown a similar project on the same topic, asking artists and writers to re-write sections of the bible (I see pretty illuminations too but I’m that kind of person) to make them personally relevant. that too, would have been interesting and more controlled, probably less offensive – but probably would be less raw and real.

Edit: I completely forgot to mention that the title of this post was one of the additions made during the exhibition.

24
Jul
09

Posting schedules be damned!

Kneeling by Jennie Rosenbaum Kneeling by Jennie Rosenbaum

do you know what? my brain doesn’t work to a schedule. I want it to.. but it doesn’t. so I get so many ideas for posts and I never write them down, why? because somewhere I came under the belief that I needed to adhere to a posting schedule of some sort. I am not the sort to can a post for later, so it never gets written, and then I forget about it when it comes time – so I don’t even adhere to my schedule anyway! it’s enough to make you crazy- or at least it’s enough to make me crazy as the two constantly battling hemispheres of my brain go at it once more, warring over the need for structure and schedules and the need to be spontaneous and creative.

This is affecting my artwork too, I think and I plan and I schedule and I get in my own way and trip over my own need for organization. some planning is good, my artwork is definitely showing that, but I need to stop planning so much and getting everything perfect and just Go For It I need to recapture spontaneity.

this posting schedule is driving me crazy, it’s adding to my stress levels and it’s actually preventing me from posting. so it’s gone! I will still post Friday Nude Quotes but apart from that I think I am going to just let the posts fall where they may, there may be none in a week and then 10, there may be 2 one night and none for the rest of the week. I don’t know, but I need to give myself a break and write when I want to, not when I feel that I should.

01
Jul
09

Pigeon Holed

Stance, a4 Watercolor and Pencil on Paper by Jennie Rosenbaum
Stance- a4 Watercolor and Pencil on Paper by Jennie Rosenbaum

I have felt pigeon holed lately by my writing. I am building a reputation for myself as a nude activist. Someone who stands up time and again to state that the nude is not porn and is not always about sex. I don’t believe the nude is necessarily sexual but i also think that there is a place for sexual expression in art without it being porn.

i have felt as though i am bound by this stance. it has stopped me from writing about certain topics, even from painting more explicit works. I feel like cannot write about my own sexuality or artists that I admire who do create sexualized nudes for fear of diluting my message or scaring off readers. but, do you know, there also comes a time when I have said almost everything there needs to be said on a particular subject, I don’t wish to repeat myself, I want to keep my blog fresh and new, rather than rehashing the same old tired arguments every time a nude is censored.

and what if a week or two go by without any censorship of nudes? what do I write about then? this blog was started initially to be a journal of my evolution as an artist and my developing career. but it started to get away from me, as writing often does, and take on it’s own life. I think there is room for both, I think there is room for a whole gamut of topics.

I have been thinking for a while now on the direction of this blog. I really enjoy writing, but lately I have suffered from the bane of all writers, writers block. so, in an effort to kick start my ideas and hopefully re-energize my blog, I am going to turn the question over to you, my readers – what would you like to see me write more about?

24
Jun
09

phew! help is at hand!

Consternation - 12 x 12 Oils on Canvas
Consternation – 12 x 12 Oils on Canvas by Jennie Rosenbaum

I have been running from pillar to post yet again, getting applications ready, sending off purchases and hunting the wild gallery. things have gotten so hectic that my wonderful husband has stepped in to give me a hand with all my unanswered emails, helping with my hunt and most importantly poking the snarling artist back into her cage (studio).

you see, the actual business of being an artist frequently takes up more time than the creative aspect. unfortunately we also have a built in self destruct sequence if we don’t get to create on a regular basis. these two things are often at odds with each other. so there comes a period of implosion as the outside business matters act on the lack of studio time to create a vacuum of uselessness. and a slump.

Liam is helping me by taking away all the things that I should do (but am stressed out by thus leading to procrastination and more stress) and making me do the single most important thing for the betterment of my career – namely, creating. thanks hon!

this long ramble is purely to explain why I’ve been hiding and why, hopefully, things will be back to normal soonish. we are instituting a schedule, and all sorts of things to make me work better, faster, stronger… we have the technology.

14
May
09

Who’s side are you on? body painting nude art debate

200905141403.jpg
Painted Models by Grace Tam

In my usual news feeds about nude art I came across these two articles. or rather this article and a rather negative response to it.

Rather than do my usual discussions and debates on the matters at hand I would like to turn them over to you, who do you side with in this issue? the artists or the council? Personally I find the language involved fascinating.. I will wait to voice my own opinion for now.

Flack over body art

Both Baggio and Grace Tam said they were approached during the painting process by a member of the Maple Ridge Pitt Meadows Arts Council who voiced concern that the nudity could become an issue.

“I was a bit confused,” said Baggio. “Normally with body painting, it’s done completely nude, but we’re covering the bottom already.” Baggio was wearing black bikini bottoms and was topless, but Tam had already finished painting over the entire chest. She and Tam agreed to put flesh-coloured Band-Aids over her nipples, and those were painted over. They both say they thought it became less of a taboo issue now after Baggio’s nipples weren’t exposed.

Baggio was covered in paint by the time the show began, and Tam painted on a second human canvas later in the evening. The second model also covered her nipples and she was wearing tights on her lower half.

There were children both in attendance and performing in the show, but the artists said they received a mature reaction from the young attendees.

“The children couldn’t care less; not one child was making a deal out of it,” recalled fellow performer C.J. Jackman Zigante. “It was one of those things where if the adults didn’t make an issue of it, they didn’t either.”

“They thought it was neat, and their parents were fine with it too, from what I could see,” said Baggio. “They were there for an art show.”

Read More…

Over artistic differences

The discussion over the boundaries of art and nudity are worthwhile and timely. The arts council presents undraped models in painting classes and we are pleased to do so.

But, just like it is appropriate for all people to be able to judge whether they wish to attend an “R” rated movie with their children, it is appropriate that we inform people in advance whether there will be nude art at what was advertised as a family event. This is allowing families to use their judgment; an important freedom we respect.

Freedom of art is not advanced by trampling on parents rights, but by artists and the public having mutual trust and respect

The members of the board of the arts council are hardworking volunteers. Many of them are artists and they are certainly not prudes. We were happy to have body art tastefully displayed in the lobby, and apologize to those families who have shared their upset that the models then appearing on stage beside their children (without the director of the show’s permission), and to anyone in the audience that also took exception to this.

Read More…

I look forward to reading your comments. it’s an interesting situation!




Contemporary Figurative Artist Jennie Rosenbaum

Contemporary figurative artist Jennie Rosenbaum's random reflections, rants and rambles on Nudes, Art and the Art World.

Comments are always invited and appreciated.

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