Archive for the 'Reflections' Category

10
Aug
10

There is no Such Thing as a State of Readiness

One thing I learned recently is that all the planning and preparation in the world is completely useless unless you actually take the plunge and get going.

Release - 12x12 Oils on Canvas

Release - 12x12 Oils on Canvas

it’s so important to just do it. nothing is ever going to be perfect enough, nothing is ever going to be ready – everything is a process. putting things off until they are ready or perfect or just how you want them is anathema to getting anything actually achieved. and that is fine if you actually want to coast through and not achieve anything, but usually perfectionist types have very clear goals. I know I do.

If I had waited until I was “ready” to have a baby it would have never happened. and I find that now I have one, I am ready. nothing can prepare you, so there is a limit to how much planning you can do. I was a project manager so you can imagine how that strikes me! (must..plan..everything..) but I realized that all the planning in the world couldn’t prepare me. I just had to take the plunge. and I was right! I prepared for the things I could control (very little) and am in constant amazement by all the wonderful things I could never prepare for.

today I contacted some galleries. as I sent off the emails, I worried. my artist statement and bio aren’t perfect! I don’t have enough lines on my CV, I’m not ready, what if they turn me down, what if I get shunned by the entire arts community because of my problems with capitalization?

but I sent them off anyway. and already received one callback. so there perfectionism. sometimes you just have to jump in, hold your breath and hope. there is no such thing as ready. you won’t get anywhere dipping a toe in – you won’t know the temperature of the water until you actually get in.

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03
Aug
10

Bill Henson: my impressions

2008_may_bill_henson_photographer.JPG
Photographer Bill Henson. Photo: Adam Hollingworth SMH

millennial slippage is the term coined by Bill Henson to describe the current state of affairs worldwide. He emphasized that “The truth of art” should be exposed to our children, that we should never forget our artistic and cultural history. it’s on the basis of this that we can move forward rather than submitting to this millennial slippage.

The speech last night was excellent. Listening to Bill Henson discuss various cultural references, I looked around at a variety of young, blank, faces and I felt how true some of his statements were. we do need to expose our children to art, to history, to culture. art is the expression of history and the cumulation of our civilization. I was struck by Henson’s self effacing nature. watching him you would never know that someone so apparently shy was embroiled in such a shocking controversy that rocked the art world two years ago. It was interesting how little he cited his own work, preferring to discuss literature, composers and classic painters.

The political nature of the lecture was fascinating as he skirted any specific examples and avoided namecalling, calling instead for a return to statesmanship and common sense with more respect for the arts- both historical and current. I believe he feels truly wounded by Kevin Rudd’s insensitive and ill informed comments about his works, but rose above it to be the bigger person (as opposed to the way it was described in The Age).

I was particularly interested in the discussion about consent and censorship. His defense of the censorship board came as a surprise to some. giving credit where credit was due, he made it clear that the board were very supportive through the entire ordeal. The media have leapt on his comments about consent, afterall, Henson attacked a sacred covenant, contact sport for minors. this was a much more controversial statement than his research that life modeling for artists has no documented history of causing trauma to minors. The reverse appears to be true as so many previous models came to his defense during the scandal and remain solid friends.

I rose above my fear of public speaking to ask a question about the attitudes towards the nude in australia. his answer, in essence, was that he believes this is a wave and that most people are smart enough to realize the ridiculousness of the current attitudes, that the nude is a constant through these waves of attitude and censorship and will remain. I wish I agree that commonsense will prevail!

I wrote copious notes and will write about this further, I want to digest my thoughts more before I do. Needless to say, it was a pleasure to listen to such an articulate, genteel soul speak with passion and conviction. for further comments and observations please read Peter Ryan’s commentary at his blog.

14
Jul
10

the paintings that never were..

one of my many visual diary sketches...

I sit in my studio, around me are images that have been painstakingly posed and rendered, they are all inspiring in different ways. in my mind I can see how each one will turn out. this one will be a watercolor, that one is begging to be an oil painting. I might try experimenting with that one and try something new. each piece unfolds in my brain, each stroke, each layer.

The future ramifications of each piece start to click together. marketing ideas, where I might want to list them, the collectors that might be interested, the people who might not like them. whether I want to build on a series of works like this, where I would show them, how they would be presented. How I would write about each individual piece. it’s keywords, it’s marketing phrases and copy. how I might feel while creating it and what I will say in my blog. If it is a particularly emotive piece I think about the different reactions it might bring up in others, and in myself.

In effect each painting is done before I start. I want to paint them, I can’t wait to touch brush to that beautiful white surface.

But now I’ve sat or stood for too long. the spontaneity is gone and the pain is wearing on me. I can’t stand or sit for too long without feeling too much pain. I know I will be called on for feeding soon and I’m beginning to worry that I might be too dizzy. I don’t want to faint again.

and those paintings that are waiting to be sometimes never get a chance. this is something I need to work on. Over-thinking is one of my worst stumbling blocks. it stands in my way every time I go to do anything. It isn’t just painting, it’s everything I do.

Do you overthink things? how do you overcome it?

30
Jun
10

In Memoriam

Truth - 24x24 Oils on Canvas
Truth – 24×24 Oils on Canvas by Jennie Rosenbaum

I’ve been thinking about getting a memorial tattoo for Granny. I want something on my inner elbow that I can see when I paint. just something small that will make me smile and remember her.

Granny’s favorite advice was go with the flow. it’s something that still resonates with me. she was a very relaxed person, the very epitome of practicing what she preached. I, on the other hand, am wound up tighter than a swiss watch. when I find everything getting to me it’s like I hear her voice telling me to just go with the flow. especially when I’m painting. she always taught me to relax when creating and let my art flow through me and I want to remember that always. now, I know that there is nothing that will make me forget, she’s etched in my memory, but a visual reminder that’s always there just when I need it. that sounds wonderful to me!

I just want something small. no outlines, just filled ink that looks like watercolor wash on my skin about the size of a 50c piece. my ideas are either a small chinese air cloud or a sakura blossom in some water. delicate, classic and all about the flow.

I miss you Granny!

23
Jun
10

what I had for breakfast…not!

Interlaced - 12x12 Oils on Canvas
Interlaced – 12×12 Oils on Canvas

It’s been becoming apparent to me that I don’t actually write about myself very much in my own blog. this has come about for a number of reasons. Mainly, it’s because I have a mostly loathe/hate relationship with myself and the thought of writing about myself is a worry. I don’t want to bore people by discussing what I had for breakfast or mentioning my day to day trials with pain management, being a new parent or breastfeeding and all the millions of things that go into making me who I am. I worry about minutiae and obsess and never end up writing.

I like to keep a professional blog, with relevant and interesting information, but it is increasingly missing that personal element. and I think that is a bad idea. I started this to be a journal of my progress as an artist, and as my art is intimately tied up with who I am it makes sense that I should write about that too! I realize I don’t share good news when it happens, or, increasingly, no news at all and that just isn’t right. being an artist is more than just your genre or your finished works, it’s about the person behind it all. I promise I will try to keep it relevant, and hopefully interesting! and no, I won’t talk about my choice of breakfast!

03
Feb
10

10 Ways to beat post exhibition blues

Interlaced - 12x12 Oils on Canvas
Interlaced – 12×12 Oils on Canvas by Jennie Rosenbaum

Something that I never knew when I started exhibiting was that it’s very common to have the post exhibition blues. in fact, almost every artist I have spoken to has had this issue. there is a let down after the huge event. you spend so much time focussing on it all, creating artworks, hanging, publicizing, it becomes a massive high capped off by the opening. then, suddenly, it’s over. and your life can seem.. empty, it can be crippling- my first exhibition had me lost for over a month in a deep depression.

after that first experience I decided that this should be something that can be avoided and I’ve been actively working on it ever since. these are my tips for beating that post-exhibition depression.

  1. Have a new series or body of work you are really excited about and ready to get started on. the sooner you get back into the studio the better. that’s why you became an artist!
  2. On the night of the opening go out to dinner with collectors, friends, family. a nice group of people you can enjoy who are going to give you support, distraction and a great come down after a perfect night.
  3. Don’t drink during the opening. nurse a glass of wine all night or have something else. alcohol is a depressant and you want to be sharp on the night.
  4. Keep a file of “warm fuzzies” – emails, comments, tweets of nice things that people have said about your work. refer to it at need!
  5. Spend 15 minutes in your studio each day, even if it is just looking out the window, sketching, looking at books, old sketchbooks, going over ideas, surround yourself in your art.
  6. Give your studio a spring clean. if you are like me, after an exhibition everything is in chaos. tidying it all up gives you a sense of closure, and a clean studio always beckons for new work!
  7. Try a new medium you’ve been meaning to try. experiment and have some fun!
  8. Tally up all your achievements at the exhibition, no matter how small. the people you gave your cards out to, the new mailing list signups, the good things that were said and done.
  9. Buy yourself a new sketchbook or brush or something, a nice treat to pat yourself on the back. it needn’t be expensive or large, just a celebration.
  10. Don’t focus on all the things you should have done or wish you had done. remember them for next time and move on. start planning the next big thing!
04
Jan
10

the decade that was – Stuff I learned

Release 12x12 Oils on Canvas
Release 12×12 Oils on Canvas by Jennie Rosenbaum
  • fate is a bitch. if you aren’t doing what you are supposed to be doing you might just get kicked in the balls.
  • don’t get into a car accident with a cop- it turns out that they are always in the right, even when they aren’t.
  • if you have reason to believe a light failure was the cause of your accident report it straight away, even if you are in hospital or at home dazed and in pain.
  • once isn’t enough. confirm your new address details on the phone with the insurance company several times – or pick a good one.
  • big companies would rather pay a fortune for a procedure that won’t work than pay for inexpensive ongoing treatments that will total less and do work. getting them to change their minds on this is difficult.
  • always have your own specialists and people you can trust to see you through difficult times – getting help is not wrong, not getting help when you need it is.
  • live your passion, live for your passion and relish it. few people do this.
  • appreciate the wonders in your life. especially the little joys.
  • accept the things that happen and make the best of them no matter what.
  • split up enormous blog posts into easier to digest small amounts.
  • learn to say no to the wrong opportunities and yes to the right ones.
  • you can learn anything if you have internet access.
  • apply for everything even if you don’t think you will get in – the worst they can say is yes!
  • trust your gut.
  • cope.
03
Jan
10

the decade that was – part two

Composed 10x12 Oils on Canvas
Composed 10×12 Oils on Canvas by Jennie Rosenbaum

Most of that was 5 years ago. since then I have:
had many exhibitions, solo, group, juried, international and local

developed signature styles

studied photography at RMIT and drawing and painting at Curtin University, all online

learned how to use 3D modeling to give me access to all the models and lights I could ever want

worked through many of my psychological issues on canvas

produced a large body of work

sold a large body of work

received awards and acclaim

fought legal battles, won some, lost some, still going on others.

became a pensioner, received my parking permit, got a cane to help me walk and used it to walk and walk and walk

saw many many many movies

formed groups for nude art online

formed a group for disabled artists

met my artistic hero

became an activist for nude rights and the fight against censorship

started a pretty successful blog

used my previous business experience to propel my career forwards while learning new tricks

discovered the joys and the addiction of social media

got a tattoo

learned how to budget, manage finances and save

got knocked up! it’s a difficult pregnancy but i’m still pushing ahead with my work and my strength building- some may say I’m insane but as long as I have my work to focus on I can get through anything. including pukeahontas.

been truly happy.

02
Jan
10

The Decade that was – Part One

Pain
Pain by Jennie Rosenbaum, 2005

it’s been a tumultuous decade in so many ways. A time for loss. For myself, for friends and loved ones and for the world. Personally, i lost a company, my career, my mobility, strength and endurance. But in many ways i’ve gained more than i’ve lost. I’ve gained my sense of self. I’ve discovered what i am supposed to do and i’ve been rewarded with all the joys of working in a career that i am genuinely passionate about. Here is my summary of the decade that was. It’s good to look back over the preceding time, there is so much to learn, and so much to look forward to in the coming years.

when 2000 began I was a completely different person. I was a director of a small internet start-up that was going places, my goal was to make a million before I was 30 and I had the healthy body of a 22 year old. I lived with my partner and two housemates and one cat. I still live with the same partner and cat.

since that time:

my company was absorbed into a larger company, bent on making a bleeding edge product that would have achieved my goals and then some. It collapsed due to a shoddy partner who embezzled our funds then left the country.

we moved house 6 times. twice by choice.

we went to the USA, my family loved my partner, we spent a very grown up week at Disneyland going on every single ride then a few very adult days at mardi gras.

we acquired 3 other cats, one was a traveling salesman who stayed with us for a short time, one sadly disappeared and the other is sleeping in the bedroom right now.

Due to the failing IT market I had to go back into adult web development, further fostering my dislike of porn.

I went from job to job, working at different IT companies, as a web designer, flash developer, project manager, account manager and back to project management again.

I should have taken the periods of unemployment and the miserable jobs as a sign that I was meant to do something more with my life, but, as ever, I was wedded to the concept of money and corporate ladders.

I stopped painting and drawing. except for charts and random phone doodles. I stopped seeing beauty in everything.

I finally got an excellent job with people I really liked. it was the most demanding project management work I had ever had with difficult hours, a seemingly impossible series of projects and a chance to prove myself. finally people were looking past my age and gender.

I got married! it was still the most successful project I’ve ever completed, on time, under budget and perfect in every detail. it was the perfect wedding, capped off by the perfect honeymoon. two weeks in luxury in Singapore. I married my long term partner and best friend and am still falling in love with him every day.

I should have taken the hint that I didn’t want to return to my work as a sign that there was something else out there. but this was the perfect job for me right? it was setting me back on track I just obviously didn’t know what I wanted.

we found a house to buy. the night we received the approval for the loan, the night our lives finally came together was the night a set of lights at a difficult intersection failed and we were T-boned by a heavily speeding car.

unable to return to work, I missed the end of the project I had been working on and sank into depression as the pain that was supposed to dissipate continued. and continued. the work piled up and I had to leave my job when it looked like I might have a long recovery ahead of me.

bored out of my brain and senseless with the pain I took out my old materials and started to paint.

and paint.

and the pain, that was forever there, suddenly stopped it’s urgent hammering on my senses.

and something inside me let go. and I painted my pain, and I painted figures and I celebrated color, and tone and the sheer joy that creation brings. where my paintings had always been technically good before now there was a spirit to them that had been lacking, an emotion and creativity rather than just a depiction.

I started Seeing again. seeing beauty and light and shadow in the world around me.

as the pain continued and we sought the help of specialists, we received a diagnosis and a prognosis of a permanent condition with a chance of degeneration.

I did research and discovered ways to ameliorate the degeneration and even increase my limited mobility. I started my own regime of building myself back up. I decided I wasn’t going to let myself drown in the pain and instead use it to make a new life for myself.

I decided that if I could never work a desk job again that I was free to pursue my art.

I turned to the internet once again, the lifeline, to learn how to be a successful artist.

20
Dec
09

Remembering what is and was

Truth
Truth by Jennie Rosenbaum

Today is my Granny’s Birthday.

Granny and I were always very very close. I credit my love of art and my abilities to her. she started me on the basics of drawing what I actually see- not what I want to see. on looking at works and seeing more, and on creating art and wanting more from the works that I do. she pushed me to excel. she critiqued my child’s hand, not as a grandmother to her grandchild but as a genuine art critique. and she did it in such a way as to make me want to improve with every piece. The day she finally complimented a painting and told me it was brilliant was one of the happiest moments of my life.

Granny and I would spend weeks together in her studio sculpting and drawing. she was a bronze sculptor- originally of horses. but later branched out into painting and abstract sculpture. I’m lucky enough to own one of her bronzes.

Granny is impossible to describe. she was one of the most vital, energetic, creative, spontaneous people I have ever known. ever since I was tiny I knew I wanted to grow up to be just like her. she and I once had an hour long conversation on the use of the word ‘shat’ as past tense for the word ‘shit’. she taught me French as a baby like she taught her dogs. she schooled me so that my first words were ‘hippopotamus’, ‘rhinoceros’ and ‘sha na na’. Granny would argue for hours on any topic- she would just pick a side of a debate and go for it. the end result never mattered, just the joy of the debate itself. she cheated at cards when there was chocolate on the line. She was an artist to her bones.

Unfortunately the woman I know as my Granny is no longer here. Altzheimers is something I wouldn’t wish on my worst enemy. for someone as brilliant, as alive as she was to slowly lose herself over years is beyond cruel. My mother has recommended that I not see her, so that my memories will remain intact. sometimes I wonder if that is so that at least one of us will have strong uncorrupted memories of the wonderful woman that was. I wrote to her for a while, I sent her pictures of my works. while she still remembered me she was immensely proud of my career.

I love you Granny. Happy Birthday. you may not remember me anymore but I will always remember you and everything you taught me.




Contemporary Figurative Artist Jennie Rosenbaum

Contemporary figurative artist Jennie Rosenbaum's random reflections, rants and rambles on Nudes, Art and the Art World.

Comments are always invited and appreciated.

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