friday nude quotes
I’m not against half naked girls – not as often as I’d like to be.
I’m not against half naked girls – not as often as I’d like to be.
I hate spending money (yet, ironically, I love shopping) especially if it’s on something that’s important. when I started painting again I went to a place called art shed which had enormous tubes of paint for under $5 and inexpensive 100% cotton canvasses. knowing that I hadn’t paid that much meant that I could play with paint and if they didn’t work out it wasn’t a real loss.
I wonder how I would have felt at that suggestion, you do feel like an animal- we joke about being a cow but it is a very animalistic action, based in nature and going back to our most primal roots. how wonderful that this suggestion has spawned such an interesting work.
One thing I learned recently is that all the planning and preparation in the world is completely useless unless you actually take the plunge and get going. it’s so important to just do it. nothing is ever going to be perfect enough, nothing is ever going to be ready – everything is a process. putting…
I wanted to lighten the background so that I didn’t waste ink and was just playing around with selection tools when I got this very fluid and dynamic background that seems to flow with the nude – I’m just so happy with it!
My question to Bill Henson – View the Entire lecture here
I love the commentary in this quote, it is a natural portrait. it is unabashed, strong, challenging and surprising. she isn’t hiding who she is, she’s embracing it, embracing both sides of who she is. if the comments I’ve read and heard about it are any guide many people don’t see someone trans, they see a strong, nude woman.
“When you’ve seen a nude infant doing a backward somersault you know why clothing exists.”
I wonder, sometimes, if the pendulum is swinging back this way, if we are re-establishing victorian prudishness and attitudes. at times when I fear that I like to remember the proliferation of underground nude art, ribald cartoons and interesting pornographic and sexual paraphernalia. the surface of the victorian era was pristine but it had a delightfully seedy underbelly. true that the stuff that was considered shocking then is nothing compared with what we see today, but I think that there is a parallel between what people will admit to and what people actually do. we have the same two faced dichotomy today as we did back then. would you like to come up and see my etchings?
One unfortunate thing about the volume lighting is that if a figure uses transparencies (a transmap) to create a realistic look (like the strands in hair) the basic mesh shows as blocks. this is where postworking comes in, or the creativity in painting. the good thing about painting it up is that I can make up for the discrepancies in the 3d. it’s the best of both worlds!