This was another piece I was thrilled with when the final render was complete. everything came together. setting these up is tricky and time consuming, it can be frustrating but so rewarding when the render completes Link to the original sketch here Daz|Studio products used Figure: Victoria 4 *free* Character: Eve Hair and Hat: Sienna Hair Lighting: Studiolight Pro Shoes: Stylish Shoes Morphs: Morphs++ and NGM for V4 Bustle: from Infamous
Kishin Shinoyama is an iconic Japanese nude photographer. his work has gone a long way towards changing the attitudes towards nude art in Japan over the years and has certainly developed a following, I have found the unusual shapes he creates and interesting lighting rather fascinating. the photobook images were photographed in a range of locations, railway tracks, and most notably a cemetary. what is interesting about the charges here is that this case began in late 2009 for a book that was published i January and a shoot that took place in 2008.
“I used to sleep nude – until the earthquake.”
Chair 1 Watercolor and Pencil on Paper These aren’t my final titles, they are working titles at this stage.. I like the dynamism in this pose, it’s fun and sexy.
“When you’ve seen a nude infant doing a backward somersault you know why clothing exists.”
One unfortunate thing about the volume lighting is that if a figure uses transparencies (a transmap) to create a realistic look (like the strands in hair) the basic mesh shows as blocks. this is where postworking comes in, or the creativity in painting. the good thing about painting it up is that I can make up for the discrepancies in the 3d. it’s the best of both worlds!
Yet as soon as she disrobed and took her place on the platform, she became not only a bare body but a splendid living design.
Peek Watercolor and Pencil on Paper I know quite a few of these are stereotypical poses, but I am hoping to breathe some new life into them.
“Since nudes in all countries and centuries possess standard equipment, it’s difficult to say precisely why the pictures at the Brooklyn Museum right now are so thoroughly American.”
Rapsody Oils on canvas and 12″ vinyl record My piece for Medium:Vinyl at Hardware Gallery in Sydney is finally completed and shipped off ready for the exhibition in May. this was a piece that I had very strongly in my mind. sometimes, however, that isn’t enough. it took days of posing, lighting and rendering to get this piece right. sometimes, it’s really hard to realize the concept that is stuck in your mind. once I got to the painting stage, however, it was a breeze. sometimes taking the extra planning time really makes the final piece flow perfectly.
Jennie's Palette 