I don’t know if I will ever love it- but it is complete- and it has… something. the title in this work not only reflects the pose, but how I felt when I felt like I couldn’t complete it and how I imagine the painting felt sitting in a dark corner waiting to be.. (that’s normal btw, most of my paintings feel something- it’s when they talk that I get worried :P)
This was another piece I was thrilled with when the final render was complete. everything came together. setting these up is tricky and time consuming, it can be frustrating but so rewarding when the render completes Link to the original sketch here Daz|Studio products used Figure: Victoria 4 *free* Character: Eve Hair and Hat: Sienna Hair Lighting: Studiolight Pro Shoes: Stylish Shoes Morphs: Morphs++ and NGM for V4 Bustle: from Infamous
Chair 1 Watercolor and Pencil on Paper These aren’t my final titles, they are working titles at this stage.. I like the dynamism in this pose, it’s fun and sexy.
One unfortunate thing about the volume lighting is that if a figure uses transparencies (a transmap) to create a realistic look (like the strands in hair) the basic mesh shows as blocks. this is where postworking comes in, or the creativity in painting. the good thing about painting it up is that I can make up for the discrepancies in the 3d. it’s the best of both worlds!
Peek Watercolor and Pencil on Paper I know quite a few of these are stereotypical poses, but I am hoping to breathe some new life into them.
Rapsody Oils on canvas and 12″ vinyl record My piece for Medium:Vinyl at Hardware Gallery in Sydney is finally completed and shipped off ready for the exhibition in May. this was a piece that I had very strongly in my mind. sometimes, however, that isn’t enough. it took days of posing, lighting and rendering to get this piece right. sometimes, it’s really hard to realize the concept that is stuck in your mind. once I got to the painting stage, however, it was a breeze. sometimes taking the extra planning time really makes the final piece flow perfectly.
I also revisited the concept by using a record as a backdrop for my render from the beginning. it was completely different, but somehow just perfect. sometimes inspiration comes like a half remembered dream, and it needs a lot of coaxing to get it just right.
Rhapsody render 1 Daz Studio Render this was my first attempt at trying to realize my sketch. it took hours of posing, lighting and rendering and postwork in Photoshop and I just wasn’t inspired. the pose wasn’t right, she wasn’t seated in the circle, she looked like she was floating, and I just couldn’t get the look on the record to work. so I took it back to square one again and tried a different pose.
I knew I wanted to continue in the same theme, and I could see the concept very clearly, I just couldn’t realize the pose. this sketch is even rougher than usual as it was more a chance for me to get the idea down, rather than the actual pose.
Kneeling Mixed Media on Canvas 30×24 in $800 Featuring an older piece today to celebrate starting to list my impasto series on Discovered Artists
Jennie's Palette 