Is obsessiveness a good trait in an artist?

obsessive A5 watercolors and pencil on paperI seem to have a hard time working on more than one painting at once. I can work on more than one of a different media, and will sometimes have watercolors on the go as well as an oil painting, but I can’t seem to paint more than one oil painting at a time. I get so obsessed with this one work that I have to see it through to the end. I play the same album on loop for the duration of most pieces (I feel sorry for the neighbors!). I can’t change to new brushes in the middle of a work and I lose it if something interrupts me while i’m working. I’m a very obsessive painter.

every time I try to put a piece aside to sit on while I work out what’s needed, or to dry, or to work on a deadline, I get stuck. Like something pulled between two equal forces I cannot move forward or back. And then I stop and feel lost and blocked.

My studio is being set up so that I can have a few easels running at once. I love this idea, I can see it so clearly. But I worry that my obsessive tendencies may prevent me from working as I should. I need to have multiple pieces happening. I need to be able to work on more paintings, to produce salable works while I paint the exhibition pieces. To just let things dry once in a while! I need to get past my obsessiveness and move on.

4 thoughts on “Is obsessiveness a good trait in an artist?

  1. I find the problem is the emotion often involved in a particular work can be hard to shift when working on another. Perhaps the different mediums give you the mental break away to help that emotional shift?

    I know when i was recording music i often had similar issues where i had to work on one track until perfection before i could work on another.

    • I think you have nailed the issue on the head there ๐Ÿ™‚ I pour a lot of emotion into my painting, especially the ochre nudes. Shifting media allows me to keep a nice buzz going, but to relax a bit and not get too overwhelmed. Wen I try to shift artworks within the same medium I lose it, and both pieces suffer.

  2. I tend to be obsessive but I find my day job takes the edge of my obsessiveness and makes me more accommodating. I can have several stories going on at once and sometimes I abandon them for long periods of time before returning to them. I find this helps me because by the time I get back to the story I have a fresh outlook of what I want it to be. But of course this is writing, with painting it may be different.

    • I think this is the way a lot of artists work, I read about their methods a lot. They will have a few on the go and turn one to the wall for a while to work on another. Many swear by the method and I really wish I could do it! I am holding myself back by only working on one piece at once, but I guess it’s whatever works!

      As far as I can tell that is the primary rule in the care and feeding of all types of artists, they all have their systems, they do what works, don’t mess with it! ๐Ÿ˜‰

      But yes, I am seriously so obsessive that I obsess about obsessing.

      So I do mess with it ๐Ÿ˜›

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